Looking into the Abyss
All alone in the locker room, a completely weakened Michael
took off his bandages, looking like a puppet without strings.
On the floor by his feet, white spiral of discarded gauze
slowly formed into a mountain. Finally, with his unbridled
left hand, he covered his face. There was nothing to say as
I watched his muscular shoulders tremble. Beyond the shadow
of a doubt, I was looking at a defeated man.
Since the turn of the century, Martial Arts have been brutally
effective at separating the winners from the losers. Once
that bell signals the end of the fight, a huge abyss is created
between those who are victorious, and those who are not. Even
if the margin of victory is only wafer-thin, you can measure
the distance between defeat and victory in miles. And where
does the loser end up? Alone, staring into complete darkness.
I wonder if Michael is staring into this darkness.
From the start, I wanted to see Michael Yano separate from
the rest of the martial arts media. Because it seemed like
Michael was treating kickboxing as a consolation prize—a mere
stepping-stone on his way back to glory. Most reports glorified
his career in J-League and were all basically “positive press.”
In truth, even an article I wrote for Number magazine was
very favorable to Michael Yano. But I have no intention of
treating Michael as “the next bright hope of kick boxing.”
Instead, this is a story about the “ultimate loser.” He
does have obvious physical and athletic gifts—that’s why he
reached the J League so fast, skipping ahead of most of his
peers. But in the world of professional soccer, Michael Yano
just couldn’t find “the glory.”
On paper, it seemed like Michael was an athlete with a bright
future. The press praised Michael with headlines like “16
years old super talent from Ghana!” and “Coach Baxter is Thrilled!
Sensational Debut by Michael Yano!”
But sadly, Michael’s career never lived up to the headlines.
He drifted from team to team, each time losing a little more
luster on his star power.
Until it was gone.
From “J” to “K.”
This was the headline IKUSA
created to advertise Michael Yano’s professional debut
fight. However, for Michael, this was not even close to “The
Great Transition.” It was just another step on the long path
to success. Once he spoke to me about at length.
The Day of Violence and Repudiation
“I never liked hitting people. It was just a weapon to
protect my brothers and myself.”
To understand Michael, you have to understand where he came
from. His mother is Ghanaian, and his father is Japanese.
He first set foot on Japanese soil when he was ten years old.
A first-class architect, Michael’s father was deeply involved
in the construction of the Dr. Hideyo Noguchi museum, and
in Ghana he was a man of great distinction—with a comfortable
income and high standard of living. But their affluence brought
them trouble. They were targeted for a series of robberies
by an obscure group of bandits. Because of these threats,
Michael’s family decided to move to Japan.
 |
IKUSA Producer Shingo
Ozawa (left) is known for constantly discovering great
new talent. Michael Yano definitely fit the bill. |
But due to immigration law technicalities, Michael’s parents
were forced to live separately—resulting in Michael and his
two younger brothers ending up in a child care institution
in Japan. In this dilapidated environment, Michael and his
two brothers, who spoke little Japanese at the time quickly
became the target of bullies.
“I was always thinking, ‘Why are we treated like this?’
I was different from the others, color of skin; my hair is
all curly, why? That’s what I was thinking, constantly,
so I always wanted to be pure Japanese.”
It certainly wasn’t easy for Michael growing up...losing
both his nationality and family when he was in just the sixth
grade. Then he was force to deal with everyday repudiation
and violence. But fortunately, he soon found a sanctuary where
he could prove his ability—the playing field.
“In junior high school, I had to play either volleyball
or soccer. It was school rules. I remember playing soccer
in Ghana when I was little. Of course, we didn’t have a real
soccer ball so we were using ball made with socks.”
Michael had already acquired the reputation of a speedster,
and became a starter on his soccer team in just his first
year on the squad, arousing the jealousy of his teammates.
“Those elder students who were sort of running the whole
show in school called me to the bathroom, then pushed me to
the wall from behind and said, ‘Don’t get carried away,’ you
know, threatened me. But I was physically superior so I whipped
their butts. Then from that day, everyone around me, their
attitude changed.”
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Michael Yano is
an extraordinary athlete, with only one obstacle—a lack
of technique. At least, that’s what everyone thought
at the time. |
A bit of a social outcast, but redeemed by his athletic gifts—this
became the story of Michael’s youth. His ability on the field
got him noticed. But it also got him into trouble.
“Soccer was fun but our team was definitely an ‘one man
team.’ So coach’s tactic was simple, ‘Once you get a ball,
make sure to give to Michael,’ so actually there was no strategy.
When I joined youth team of S-Pulse after I graduated from
junior high school (seventh to ninth grade in the states),
I had no knowledge of various strategies and movements in
soccer so I really had a hard time at first. Some of my teammates
were graduates of high school (tenth to twelfth grade in the
states) so they were trying to act strong, telling me things
like, ‘What a hell are you doing? You aren’t amateur, right?’
because I couldn’t even pass the ball properly. Sure, there
were quarrels but I was most frustrated because I couldn’t
fully explain what I wanted to say.”
These difficulties in communication continued to haunt Michael.
During seven years of his pro soccer career, age sixteen to
twenty-two, his inability to communicate effectively alienated
him from his teammates, and eventually drove him out of J
League altogether.
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